71 N.Y.2d 830 (1988)
A conviction based on circumstantial evidence is sufficient when the evidence, viewed as a whole, establishes guilt beyond a reasonable doubt, and the acting-in-concert theory allows a defendant to be convicted of murder as an accessory if they shared the shooter’s intent.
Summary
The New York Court of Appeals affirmed the defendant’s second-degree murder conviction, finding sufficient circumstantial evidence to establish guilt beyond a reasonable doubt. The evidence showed the defendant lured the victim from a social gathering to resolve a dispute, drove with the victim to a secluded location, and the victim was then shot after an argument. The court held that the jury could reasonably infer the defendant’s involvement in the planning and execution of the murder, either as the shooter or as an accessory sharing the shooter’s intent. The court also found no error in instructing the jury on the acting-in-concert theory.
Facts
The defendant sought out the decedent at a social gathering to resolve a dispute with the decedent’s cousin. The defendant induced the decedent to leave the gathering. The two men left with two women, and they went to the defendant’s car, where another man was waiting. After dropping off the women, the defendant and the other man drove directly to a darkened corner. There, after a witnessed argument between the decedent and one of the two men from the defendant’s car over the decedent’s “squealing”, the decedent was killed by repeated shotgun blasts fired at close range.
Procedural History
The defendant was convicted of second-degree murder after a jury trial. The defendant appealed the conviction. The Appellate Division affirmed the conviction. The defendant appealed to the New York Court of Appeals.
Issue(s)
1. Whether the circumstantial evidence presented at trial was sufficient to establish the defendant’s guilt of second-degree murder beyond a reasonable doubt.
2. Whether the trial court properly instructed the jury that it could find the defendant guilty of murder either as an accessory or as a principal, given the uncertain identification testimony of the eyewitness.
Holding
1. Yes, because the defendant’s actions and the timing of the events allowed the jury to infer that the defendant participated in planning to kill the victim and shared the intent of the shooter to do so.
2. Yes, because the indictment charged defendant with murder under an acting in concert theory and there was evidence which, if accepted by the jury, would support a finding that defendant was either the shooter or the driver of the car.
Court’s Reasoning
The court reasoned that the jury could infer the defendant’s involvement based on the sequence of events: the defendant seeking out the victim, inducing him to leave, driving to a secluded location, and the subsequent shooting. The court stated, “Defendant’s actions and the timing of the events of the evening permitted the jury to infer that defendant, decedent and the other man drove directly to the murder scene after dropping off the women, that the two men had a shotgun with them from the outset and that defendant must have known of it because of the difficulty of concealing it in his car.” The court further noted that the jury could consider the accessory’s presence with the shotgun during the argument. This supported the inference that the defendant either shot the decedent or participated in the planning and shared the shooter’s intent.
Regarding the jury instruction, the court found it proper because the indictment charged the defendant with murder under an acting-in-concert theory. The court cited People v. Duncan and People v. Benzinger, emphasizing that the evidence, if accepted by the jury, could support a finding that the defendant was either the shooter or the driver of the car. This is significant as it clarifies that even with uncertain identification testimony, a conviction can stand if the evidence supports the defendant’s role as either a principal or an accessory under the acting-in-concert doctrine. This decision reinforces the permissibility of circumstantial evidence in establishing guilt, particularly when combined with the acting-in-concert theory, allowing prosecutors to pursue convictions even when direct evidence of the defendant’s role is limited.